Saturday, December 3, 2011

Review: Lady Gaga: Born This Way [B]


Artist: Lady Gaga
Album: Born This Way
Released: May 2011
Label: Interscope Records
Genre: dance pop

Purchase date: 26 May 2011
Format: mp3 files
Source: Amazon

I have to admit that I fell for Gaga's marketing ploy: for one week this album was available in mp3 format from Amazon for $0.99. What I was unprepared for was how much I really liked many of the tracks! The album is very uneven, with in my opinion, too many nods to early '80s retro-kitsch. But the tracks "Born This Way" and "Marry the Night" really carry it. I particularly like the "be true to yourself" message that suffuses the music, particularly in the title track.

So, a surprisingly enthusiastic recommendation for Lady Gaga's latest!

Rating: B+


Artist not available at eMusic

Saturday, November 19, 2011

Review: Okkervil River: I Am Very Far [A-]


Artist: Okkervil River
Album: I Am Very Far
Released: May 2011
Label: Jagjaguwar
Genre: indie rock

Purchase Date: 11 May 2011
Format: mp3 files
Source: Amazon

I'll start by saying that Okkervil River has been, consistently, one of my favorite bands of the past few years. The sixth release from this band from Austin breaks a bit from their usual style of producing tightly-written thematic albums that tell a sonic story. I Am Very Far is much looser, and the lyrics of the songs are much more free-form and obscure than those of earlier albums. At first, I found the songs to be a bit more hit-and-miss than earlier releases, and while the album had some stand-out tracks (notably "Rider," one of their best songs), I didn't think it worked as an album. After repeated listens, the album grew on me, and while I don't think it's quite as strong as the outstanding The Stand-Ins, it's still one of the best albums of the year so far.

Rating: A-




Review: Mamiffer: Mare Decendrii [A-]


Artist: Mamiffer
Album: Mare Decendrii
Released: March 2011
Label: Conspiracy Records
Genre: Post-rock / neoclassical rock

Purchase date: 27 April 2011
Format: mp3 files
Source: eMusic

I don't really know a whole lot about this Seattle-area trio. They have a dark, ambient, neoclassical sound that would work as the soundtrack of a horror movie. Actually, when I stumbled across this band, I became interested in their music for just that reason: I thought it would be great mood music for a horror role-playing game that I was putting together at the time. Since then, the album as really grown on me, and I find myself playing it at the office as background music that helps keep me focused on the task rather than on the music itself. That said, it's delightfully creepy music to play when you're alone in the house at night with the lights off. For those with similarly off-kilter sensibilities, I would strongly recommend this album.

Rating: A-


Saturday, November 12, 2011

Review: Parts and Labor: Constant Future [B+]


Artist: Parts and Labor
Album: Constant Future
Released: March 2011
Label: Jagjaguwar
Genre: experimental rock

Purchase Date: 27 April 2011
Format: mp3 files
Source: Amazon

The fifth full-length from the Brooklyn-based experimental rock trio, Constant Future, brings more of the guitar-synth-and-noise sound that has become their style. Unlike a lot of noise-rock acts, they focus more on the rock than the noise, and all of their songs have a strong sense of melody through the sludge. This seems to be their most accessible album yet, full of big sounds that teeter on the brink of chaos but always manage to stay cohesive. One downside is that Constant Future isn't as strong lyrically as some of their previous releases. Still, it's an enjoyable album and definitely worth a listen.

Rating: B+



Sunday, October 16, 2011

Review: The Mountain Goats: All Eternals Deck [A-]


Artist: The Mountain Goats
Album: All Eternals Deck
Released: March 2011
Label: Merge Records
Genre: indie folk

Purchase Date: 19 April 2011
Format: mp3 files
Source: Amazon

John Darnielle, leader and often only member of The Mountain Goats, returns with his 14th full-length album. All Eternals Deck features a rich, polished sound to Darnielle's character-focused story-songs, now with a full band. Lyrically, the songs are intricate, witty, and uncompromising, and have a theme of survival against the odds. Musically, they run the gamut of quiet folk to almost unhinged folk-punk. It's a fun ride, and I heartily recommend it.

Rating: A-


Album not available at eMusic

Review: Esben and the Witch: Violet Cries [B-]


Artist: Esben and the Witch
Album: Violet Cries
Released: January 2011
Label: Matador Records
Genre: dream pop / nightmare pop

Purchase Date: 15 April 2011
Format: mp3 files
Source: Amazon

Named for an obscure and macabre Danish fairy tale, this British trio's sound uses the dreamlike and ethereal tones of dream-pop, but to disturbing and nightmarish effect. (Several other critics have dubbed this "nightmare-pop".) Layered, echoed vocals, whispered spoken-word, guitars sounding like they are coming up from the bottom of a well, and an overall tone of melancholy-bordering-on-despair, this isn't music for the faint of heart. These elements come together with a brooding, dark intensity on the tracks "Warpath," Marching Song," and "Skeleton Swoon," but don't quite gel for much of the rest of the album.

Rating: B-


Artist not available at eMusic


Review: Starfucker: Reptillians [B+]


Artist: Starfucker
Album: Reptillians
Released: January 2011
Label: Polyvinyl Records
Genre: electronica

Purchase Date: 01 April 2011
Format: mp3 files
Source: eMusic

Another good band with a terrible name, Starfucker (or STRFKR, as they bill themselves on public marquees) is an electronica quartet from Portland, Oregon. The music is upbeat, catchy electronic rock with a philosophical bent. Many tracks include recorded spoke word from the late philosopher Alan Watts, an odd yet fascinating feature. The songs are tremendously fun while they're playing, but they don't have a lot of sticking power: it's been a month or so since I've listened to this record, and I can't remember the tunes to any of them. Nevertheless, Reptillians is a very good album and deserves a listen. Recommended.

Rating: B+


Wednesday, August 31, 2011

Review: Ringo Deathstarr: Colour Trip [A-]


Artist: Ringo Deathstarr
Album: Colour Trip
Released: March 2011
Label: Sonic Unyon Records
Genre: indie rock / shoegaze

Purchase date: 1 April 2011
Format: mp3 files
Source: eMusic

I first heard of this Austin-based indie rock trio during NPR's coverage of the 2011 SXSW Muisic Conference. They are a very young band who uses blistering, layered, distorted guitar sounds and murky vocals over a heavy drum and bass rhythm. When I heard them, I immediately thought "My Bloody Valentine" or "Jesus and Mary Chain" with a female lead singer. Despite the heavy influence, I thought that they bring a fresh take to a sound that had been the cutting edge of the early 1990s.

This is an immensely fun summer album that drips equal amounts of joy and angst. I've been blasting this on the car stereo with the windows down on every sunny day I can. It's nothing terribly new: just a whole lot of fun.

Recommended.

Rating: A-


Monday, July 25, 2011

Review: Wye Oak: Civillian [A]


Artist: Wye Oak
Album: Civillian
Released: March 2011
Label: Merge Records
Genre: indie rock

Purchase date: 22 Mar 2011
Format: mp3 files
Source: Amazon

The third full-length from the Baltimore-based male/female duo finds Wye Oak growing both more comfortable in their own abilities and more ambitious in their sound. Jenn Wasner's haunting vocals sound in sharp contrast to her powerful guitar, but she seems to get that balance exactly right. Drummer/keyboardist Andy Stack fills in the rest of the sound. Live, he's got to be the best one-handed drummer in music today, as he plays three keyboards simultaneously with his other hand. In the studio, his precision shines through.

Wye Oak has always liked to play with large dynamic shifts. They are still here, but the shifts are less abrupt, subtler, and manage to draw you completely in. The highlight of the album is the title track (which appears about half-way through the album), and it is one of the best songs of the year so far.

This is most definitely Wye Oak's best album yet, and is one of my favorites of the year so far. Highly recommended.

Rating: A

Album not available at eMusic

Sunday, July 24, 2011

GrassRoost Festival: Saturday (Day Three)

Saturday is always my favorite day of the GrassRoots Festival. This year, for various reasons, I won't be able to attend on Sunday, the last day, so I decided to go all-in for Saturday this year.

I got to the fairgrounds at around noon, and set up my blanket, cooler, and chair on the Infield again. The crowd by the stage was very thin, and it looked like the previous performer had just left, so I wandered the fairgrounds a bit. I caught one number by the Dead Sea Squirrels in the Dance Tent, and enjoyed their traditional American folk. The fairgoers dancing to their set were doing contra dancing, so I just watched for a few minutes, and then moved on.

Returning to the Infield Stage, I got there just as The Believers took the stage. Singer-electric guitarist Craig Aspen and chanteuse/acoustic guitarist Cyd Fazzari hail from New Orleans (via Seattle), and have consistently been one of my GrassRoots favorites. This year was no exception. Aspen said on stage, "We love country music but grew up listening to punk rock and heavy metal." On their website, they describe themselves as "a rock band with a country problem." I stayed for their full set. While I was hoping they'd play a cover of "Helter Skelter," which was their final encore last year, they closed with their eponymous signature song, which I also really like.

After their set was over, I went over to Cabaret Hall to catch the local traditional Celtic fiddlers The Grady Girls. They are always a lot of fun, but they were having some trouble with their amps and it was very hard to hear them.

After a bite of lunch, I went to the Grandstand to hear The Horse Flies, one of the most popular and longest-lived local bands. I know fiddler Judy Hyman and bassist Jay Olsa personally, so it's always fun for me to see them on stage. They were also having some sound trouble, but their extended sound check was pretty much a improvised song, and was very danceable. Once the engineers got the mix straightened out, they put on a great show. The highlight was "Roadkill," which Ritchie Stearns introduced as "our tribute to the local food movement." Despite the heat, I ended up dancing very hard in front of the stage. After about 40 minutes, I was getting a bit light-headed from dancing in the heat, so I left the performance to buy a lemonade and find some shade.

I returned to the Infield Stage about an hour later to catch Blackfire, the Navajo punk band. I've seen this trio of siblings (brothers Klee and Clayson Benally and sister Jeneda) at every other GrassRoots I've been at, and always find them to be a highlight. I'd missed their first few numbers, and was surprised to see them performing as a duo-- their guitarist/lead vocalist Klee Benally wasn't on stage, and I wasn't sure why. Unfortunately, when a punk band is missing its guitarist, it really takes a toll on the sound, and their performance was very much off this year. I stayed for two numbers, then decided to go see someone else.

That someone else was our local African musical legend Samite. With his stunning looped vocals and kalimba, I find his music to be soulful, joyous, and wonderful. I was sorry that I only managed to catch two numbers before he left the stage.

I went back to the Infield Stage to hear the local prog-rock band Ayuvrveda. I'd heard of them, but hadn't seen or heard them before, and they were a real treat. I was a little too tired to dance, but I thoroughly enjoyed their full set. The sun was just starting to set when they left the stage, and I took a brief nap to gather energy for the rest of the night.

Next up at the Infield Stage was the high-energy Afrobeat band from Nigeria, Seun Kuti & Egypt 80. Wow. They were amazing. Another band I hadn't encountered before, they brought the house down. I haven't danced so hard since... well, since that afternoon at the Horse Flies show, but I digress. I will most definitely be buying their album sometime soon.

After they left the stage, I rested for a bit, then sat for a short performance by Americana legend John Specker. I've seen John Specker play at every GrassRoots Festival I've attended, and he is always a real treat to see.

Specker left the stage a little after midnight, and about half an hour later Donna the Buffalo took the stage to raucous applause. The host band and founding member of the GrassRoots festival, Donna attracted a huge crowd-- the biggest I'd seen at this year's festival. I got into the thick of it in front of the stage and danced the night away to one of the best performances by Donna that I can remember. At one point, Tara Nevins dedicated a song "to water," and half-way through the song, it finally started to rain. The rain was welcome, as it was still above 80 degrees well after midnight.

They left the stage at about 2:00 AM, and I gathered up my stuff. The line for the shuttle bus to the off-site parking lot seemed immensely long, so I wandered back to the Dance Tent to hear some of Keith Frank and the Soileau Zydeco Band. Keith Frank is another long-time GrassRoots favorite, and while I was too tired to dance, I listened for about half an hour until the line for the bus got short enough.

As I borded the bus back to the parking lot, I bid GrassRoots a farewell for the year. Despite the heat and my abbreviated attendance, it was a great fest this year.

Friday, July 22, 2011

GrassRoost Festival: Friday (Day Two)

I just came back from the second day of the GrassRoots Festival of Music and Dance in Trumansburg NY. I have a weekend pass, but I decided not to go yesterday due to the weather-- it was a record high in Ithaca (official temperature at the airport was 100ºF, with a heat index of 109). This is the 21st annual GrassRoots Fest, and my tenth.

The Kid and I got to the fairgrounds a bit later than we'd intended, and set up our chairs, blanket and cooler on the Infield.

We managed to catch the encore of The Town Pants, a Celtic and Americana band from Vancouver. I hadn't heard them before, and I really liked them: high energy and a lot of fun. I'm hoping to catch them again tomorrow afternoon in Caberet Hall.

After a delicious gyro and a frozen chocolate-covered strawberry, we settled in for one of my festival favorites, the local funk/soul/reggae act Thousands of One. Their infectious groove and rhythm got me out of my seat and dancing. They also announced the release of their second CD, SoulForce. I'll probably be picking that one up sometime soon.

After dancing so hard, The Kid told me that a strong weariness had set in, so we decided to head back home. While we were packing up, we heard the sound check for Balkan Beat Box, a gypsy-rock/hip-hop act from NYC that seems to be attracting quite a following. They sounded great, but we had to catch the bus back to the parking lot, so we said good-bye to the first day of the festival.

Tomorrow's line-up includes some other festival favorites that I hope to see, including The Believers, Blackfire, The Horse Flies, and Donna the Buffalo. I hope to encounter some other acts that will become new favorites, too. More to come later.

Friday, July 15, 2011

Review: Mumford & Sons: Sigh No More [A]


Artist: Mumford & Sons
Album: Sigh No More
Released: February 2010
Label: Glassnote Records
Genre: indie folk

Purchase Date: 11 Mar 2011
Format: mp3 files
Source: Amazon

I'd heard of the West London-based indie folk quartet Mumford & Sons in early 2010, but I hadn't actually heard the music. Pitchfork, the hipster Bible, gave this album a terrible review, (primarily challenging the band's authenticity), and none of the other critics I follow reviewed it at all. My spouse was the person who turned me on to this band-- and what a find!

The music is heartfelt, warm, and played pretty much exclusively on acoustic folk instruments. These aren't traditional folk songs, but they sure are played that way. Marcus Mumford handles the lead vocals, and he puts just enough emotion into his presentation to make you feel what he's feeling, without crossing the line into melodrama. His lyrics are literary, intelligent, and amusingly self-depreciating. I loved this record. Highly recommended, especially to fans of indie folk.

Rating: A



Monday, July 4, 2011

Review: Caribou: Swim [B-]


Artist: Caribou
Album: Swim
Released: April 2010
Label: Merge Records
Genre: Electronic

Purchase Date: 10 Mar 2011
Format: mp3 files
Source: Amazon

I really wanted to love the fifth full-length album from Dan Snaith, who is the band Caribou. His 2007 album Andorra was one of that year's best. Swim is rather a dark record: most of the songs are about the end of relationships and the music is awash in heartbreak. While dark, this album is much more dance-friendly than his previous release. Musically, Snaith's meticulous precision comes through overall: as the whole album is sequenced, there's not a bleep or bloop out of place. Snaith has always been an electronic artist, but I feel that this is far less organic and feels a lot more sterile than his previous output.

That's not to say that there's no fun to be had in this album. The opener, "Odessa," is the high point, and it is a very enjoyable track. The twists and turns, the numerous false endings, and sever changes in tone speak to a very ambitious musician making very ambitious music. While I applaud the ambition, the actual results of this experiment are mixed. Overall, I do like this album, but I was hoping to love it.

Rating: B-

Album listing at Amazon
Not available at eMusic

"Odessa" official video

Thursday, June 30, 2011

Flashback Review: Bratmobile: Ladies, Women, and Girls [B+]


Artist: Bratmobile
Album: Ladies, Women, and Girls
Released: 2000
Label: Lookout! Records
Genre: punk / riot grrrl

Purchase date: 2 Mar 2011
Format: mp3 files
Source: eMusic

I first heard of the riot grrrl punk movement in 1991 when I was a senior in college. A friend of mine who was a self-described radical lesbian feminist was playing Bikini Kill's self-titled record, and when I said I liked it and asked who it was, she dubbed me a cassette copy. That cassette is long gone, but I always had a soft spot for fiery female-led rock. Then Sound Opinions did a brief retrospective of riot grrrl in March of this year, and I bought this album by the other American exemplar of riot grrrl, Bratmobile.

Ladies, Women, and Girls was released by Bratmobile in 2000, seven years after the band's debut, and a year after the band re-formed after a five-year hiatus. The band retained its energy and message espousing female empowerment, and it's a whole lot of fun. Bratmobile would release only one more studio album in 2003 before disbanding.

Rating: B+


Review: Sufjan Stevens: The Age of Adz [B-]


Artist: Sufjan Stevens
Album: The Age of Adz
Released: October 2010
Label: Asthmatic Kitty Records
Genre: Electronic / experimental

Purchase Date: 02 Mar 2011
Format: mp3 files
Source: eMusic

This is one album I bought unheard based solely on the reviews of other critics that I respect. The Age of Adz showed up on the "Best of 2010" lists from just about every other music critic I follow, so I decided to take a chance and see what the fuss was all about.

Stevens' music is deeply introspective and extremely complex. He merges the an acoustic folk structure with strangely experimental electronic effects, which can be both intriguing and jarring (sometimes at the same time). Many songs start out simple and then deconstruct themselves into near-chaos, only to coalesce into something else entirely. The songs on the album are also very different from each other, to the point where I found it difficult to discern the connection between them.

This is difficult music that demands repeated listens, if only to try to tease apart what the artist was trying to accomplish with it. It is also music that I didn't find compelling enough to to want to make that kind of investment. While I found bits and pieces of this album to be intriguing, on the whole I found it to be a bit of a mess, with songs exploding into cacophonous electronic bleeps and bloops with nigh-indecipherable lyrics. This experimentation seems to have worked for a lot of critics, and while I applaud the ambition behind this record, as a piece of music, it mostly left me cold.

Rating: B-



Review: DeVotchKa: 100 Lovers [C+]


Artist: DeVotchKa
Album: 100 Lovers
Released: February 2011
Label: ANTI- Records
Genre: indie folk

Purchase date: 2 Mar 2011
Format: mp3 files
Source: Amazon

I'd heard of DeVotchKa for years, but had never bought an album of their before. All Songs Considered put up the album for free streaming for a week or so back in February in their "First Listen" series, so I gave it a listen one afternoon while I was working. I liked what I heard, so when Amazon listed 100 Lovers among its $5 albums for March, I downloaded it.

It's an interesting album, and a bit hard to classify. They use eastern European chord and song structures with alt-rock instrumentation, for a sound they call "Gypsy punk." The music is fun, but after a few listens, I found that it didn't have a lot of staying power, and it never entered my high rotation. Basically, I can't say anything bad about this album, other than it just didn't click with me all that much. Honestly, the songs kind of run together in my mind, and I can't really pull a lyric or melody of this album from my memory.

So, it's kind of fun, but a little on the bland side for my tastes.

Rating: C+


Sunday, June 26, 2011

Review: Dum Dum Girls: He Gets Me High [A]


Artist: Dum Dum Girls
Album [EP]: He Gets Me High
Released: Feb 2011
Label: Sub Pop Records
Genre: garage rock / lo-fi

Purchase Date: 02 March 2011
Format: mp3 files
Source: Amazon

I loved this band's 2010 debut full-length I Will Be, and when I saw that they had released a new 4-song EP, I bought it two days after it came out. I was not disappointed. They polished their sound a bit, taking maybe a quarter-step away from lo-fi toward an ever-so-slightly richer production. They have kept the '60s garage rock sound, and the four tracks are three rockers and a ballad. The highlights are the title track and a cover of The Smith's "There Is A Light That Never Goes Out," which closes the record.

This is an extremely fun record. Highly recommended.

Rating: A


Review: Glasser: Ring [B]


Artist: Glasser
Album: Ring
Released: Sept 2010
Label: True Panther Sounds
Genre: experimental pop / electronic

Purchase date: 28 Feb 2011
Format: mp3 files
Source: Amazon

Glasser is a hard act to categorize. It's another of those one-person bands: Glasser is really Cameron Mesirow, and she brings along other session musicians for her stage shows. Mesirow's voice is extremely expressive and fluid, with a very wide range. Paired with electronic instrumentation and driving percussion, the music of Glasser is arresting and hypnotic. Pitchfork and the AV Club have compared her music to that of Bjork, and I would agree that the two share some similarities on the surface. Glasser's music is brighter, and does not plumb the darkness of the human soul as Bjork so often does. I think a better comparison would be Bat For Lashes.

It took me a few listens to appreciate this record, and I do recommend it. It's kind of difficult, but I thought it was worth the effort.

Rating: B

Album not available at eMusic



Saturday, June 25, 2011

Review: Ludicra: The Tenant [A-]


Artist: Ludicra
Album: The Tenant
Released: March 2010
Label: Profound Lore Records
Genre: black metal

Purchase date: 31 Jan 2011
Format: mp3 files
Source: eMusic

I first heard of Ludica (and Agalloch, for that matter) on a "Viking's Choice" episode of NPR's All Songs Considered. In that episode, Lars Gotrich, NPR Music's resident fan of and expert on metal, hardcore, post-rock, and other polarizing music, shared his 2010 best-of. It contained a lot of music that I didn't like all that much, but Agalloch and Ludicra both stood out.

Ludicra is a black metal band from San Francisco with the unusual feature of a female lead vocalist. As is the custom with black metal vocals, Laurie Sue Shanaman howls, shrieks, and stage-whispers the lyrics over blistering guitar and bass with pneumatic percussion. However, it's not all power chords and trolls-under-bridges: Ludicra varies its tone and can suddenly shift into folk-metal moments with eerie tonal vocals in two-part harmony. The instrumentation is moving: powerful yet melodic with a strong sense of emotion. This is powerful stuff, and if you can move through the shrieking, a very rewarding listen. Recommended.

Rating: A-






Review: Best Coast: Crazy For You [B+]

Artist: Best Coast
Album: Crazy For You
Released: July 2010
Label: Mexican Summer Records
Genre: indie rock / garage rock

Purchase date: 31 Jan 2011
Format: mp3 files
Source: Amazon

I've said this before, and I'll say it again: December and January are the best months to discover new music, as you scan other critics' annual "Best Of" lists and find things you either missed or dismissed when they were released. Best Coast fell into the latter camp for me when their debut came out in the middle of summer 2010. I half-listened to a track on the radio over the summer, and it failed to move me, so I didn't pay this band much attention until this album started appearing on a number of other critics' lists. I decided to give it a full listen.

As their name implies, this is joyful summer beach music. As with the Dum Dum Girls, another band I really liked this year, Best Coast evokes the sounds of garage rock, surf rock, and '60s girl groups while remaining firmly in the 21st century. Lead singer and songwriter Bethany Cosentino doesn't go for profound or heavy philosophizing with her lyrics, but she sure has a lot of fun with what she's got. This music isn't deep, but it sure is fun. Recommended.

Rating: B+


My 2010 Mix Tape

Since I've gotten heavily into music, I've started to put together end-of-year "mixtapes." Okay, they're actually playlists that are short enough to be burned onto a single music CD. They tend to be a list of, not exactly my favorite individual songs of the year, but songs that sort of my musical highlights of the year. I deliberately sequence the songs so that they (hopefully) either tell a story in music, or at least have an emotional and stylistic flow to them. Ideally, my mixtapes should be listened to in sequence, rather than just dumped into iTunes.

So, without further ado, here's Mike's 2010 Mix Tape:

1. "Tron: Legacy End Titles" by Daft Punk from Tron: Legacy Motion Picture Soundtrack

2. "The High Road" by Broken Bells, from Broken Bells

3. "The Cave" by Mumford and Sons, from Sigh No More

4. "Boyfriend" by Best Coast, from Crazy For You

5. "And He Slayed Her" by Liz Phair, from Funstyle

6. "It Only Takes One Night" by Dum Dum Girls, from I Will Be

7. "Month of May" by Arcade Fire, from The Suburbs

8. "Medulla Oblangata" by Buke and Gass, from Riposte

9. "Infinity Guitars" by Sleigh Bells, from Treats

10. "Coquet Coquette" by Of Montreal, from False Priest

11. "Digging for Something" by Superchunk, from Majesty Shredding

12. "You Must Be Out of Your Mind" by The Magnetic Fields, from Realism

13. "Dancing On My Own" by Robyn, from Body Talk

14. "Fuck You" by Cee Lo Green, from The Lady Killer

15. "Swim" by Surfer Blood, from Astro Coast

16. "Peace Signs" by Sharon Van Etten, from Epic

17. "Your Hands (Together)" by The New Pornographers, from Together

18. "The Hair Song" by Black Mountain, from Wilderness Heart

19. "Lawless Lands" by The Sword, from Warp Riders

20. "Stagnant Pond" by Ludicra, from The Tenant

[Update: 26 Dec 2011]


Note: Ludicra's label hasn't signed a deal with Spotify, so that track does not appear on the mix above.

Enjoy!

Review: Agalloch: Marrow of the Spirit [A]

Artist: Agalloch
Album: Marrow of the Spirit
Released: November 2010
Label: Profound Lore Records
Genre: Black Metal

Purchase Date: 18 January 2011
Format: AAC files
Source: iTunes

I'm pretty new to the realization that I like some extreme forms of music. I never thought that I would totally love a black metal album, as the typical "troll under a bridge"/"cookie monster growl" vocal style of black metal tends to really turn me off. However, the vision and musicality of the Austin-based black metal band Agalloch transcends the extreme into a place of true dark beauty.

I will be the first to admit that the scream/growl black metal vocals of Agalloch was a barrier that needed to be surmounted, and nearly put me off this band. I found it a strange disconnect from the ambient-yet-melodic music, with shimmering guitars and pounding percussion. This is a band that knows how to paint a landscape with music, using natural sounds and wide dynamic range to vary the aural landscape. At times, the music seems more like instrumental post-rock, akin to the harder moments of Explosions In The Sky or If These Trees Could Talk. After repeated listens, I warmed to John Haughm's whisper-growl vocals. Unlike some black metal bands, Agalloch doesn't present an anti-Christian screed in its lyrics. I found that I became immersed in the neopagan nature-reverence of the lyrics.

This album isn't for everyone: black metal is an extreme music form, and it took repeated listens for me to "get it." I found a strong emotional connection to this album, and it was one of my favorite albums of 2010.

Rating: A


Friday, June 24, 2011

Review: The Decemberists: The King Is Dead [A]

Artist: The Decemberists
Album: The King Is Dead
Released: January 2011
Label: Capitol Records
Genre: indie rock / folk rock

Purchase date: 18 January 2011
Format: mp3 files
Source: Amazon

The sixth full-length album from the Portland-based indie rock darlings, The King Is Dead marks a return to The Decemberists' early folkier sound. After their 2009 love-it-or-hate-it operatic prog-rock concept album The Hazards of Love, Colin Meloy and friends released a collection of Americana-influenced indie folk-rock. I've been a fan of this band since their first album was released in 2003, and I do own all of their albums (and most of their EPs). I bought this album the day it was released.

I was not disappointed. With guest guitarist Peter Buck (of R.E.M.) playing in classic R.E.M.-style on three tracks, this collection of songs showcases The Decemberists firing on all cylinders. Standout tracks include the slice-of-life mini-epic"Down By The River," the R.E.M.-styled "Calamity Song," and the bluegrass-tinged "Rox In The Box." Colin Meloy's nasal singing voice can be polarizing (my wife hates it), but his strong songwriting and sense of melody really carry this album. So, while I have a soft spot for prog, this album is a welcome step in the right direction for The Decemberists. So far, this is my favorite album of 2011.

Rating: A


Wednesday, June 15, 2011

Review: Clive Tanaka: Jet Set Siempre No. 1 [B]


Artist: Clive Tanaka y su Orquesta
Album: Jet Set Siempre No. 1
Released: January 2011
Label: TallCorn Records
Genre: Electronic / Lounge

Purchase Date: 15 Jan 2011
Format: mp3 files
Source: TallCorn Records Online

I had never heard of Clive Tanaka until Jim and Greg over at Sound Opinions played a few tracks from this album on their "Buried Treasures" show last January. I was intrigued by the Caribbean-lounge sound of the track "Neu Chicago," and bought the album from the label that day. It's a fun album, split into two "sides" as if it were an LP or cassette: Side A "For Dance" and Side B "For Romance."

The music is laid-back and has an almost retro-future sound; like '60s lounge using contemporary production and effects. About half of the songs are instrumental, and when Tanaka does add his voice, it's run through a bunch of effects (vocoder, distortion pedals, etc). This is more for playing in the background while you do something else than for a deep listen, but it's great fun for what it is.

Rating: B


Album not available at eMusic

Friday, June 3, 2011

Flashback Review: Wendy Carlos: Tron Soundtrack [B]

Artist: Wendy Carlos
Album: Tron: Original Motion Picture Soundtrack
Released: 1982
Label: Disney Music
Genre: Soundtrack

Purchased: 10 Jan 2011
Format: mp3 files
Source: Amazon

Having purchased the soundtrack to the 30-years-later Tron sequel, I wanted to listen again to Wendy Carlos' 1982 score for the original Tron. Carlos has been a composer for analog synthesizer for close to 40 years now, and back in '82, she seemed the obvious choice to write the score for a movie that was set inside a computer.

Tron was the first film I ever saw that had far more impressive special effects than story. When I watched Tron for a college class in the early '90s, I remember being far more impressed with the soundtrack than the storyline.

The soundtrack itself is a mixed bag. When it's just her on synth, Carlos' music is fascinatingly off-kilter, in odd or shifting time signatures, and often shifts keys abruptly. Strangely, I find synth simultaneously coldly impersonal and wildly expressive. On the other hand, when she uses the full symphony orchestra to embellish or enhance her themes, I find it to become far less personal, and sound more like your basic action movie soundtrack. The 80's power-pop band Journey (who were at the height of their popularity in 1982) add two bland '80s rock numbers, which I honestly don't remember from the movie.

I'm glad I picked up this album. It was a blast from the past, and even included some music that I remember from the old Tron arcade video game. When left to her own devices, Carlos made some very exceptional memorable music for this film. On the other hand, the tracks that are primarily symphonic are mostly forgettable, and the Journey tracks are just bad.

Rating: B

Album not available at eMusic

Wednesday, June 1, 2011

Review: Charlotte Gainsbourg: IRM [B+]


Artist: Charlotte Gainsbourg
Album: IRM
Released: Nov 2009
Label: Elektra Records
Genre: experimental pop

Purchase date: 09 Jan 2011
Format: AAC files
Source: iTunes

I had known that the Anglo-French actress Charlotte Gainsbourg also had a singing career, but I hadn't paid it much mind, as there are so many actors who use their fame to attempt to cash in on meager musical tallent. Then, I heard an interview with her on on World Cafe last June, and I was really struck by the music. IRM, her third album, had been on my wish list since then, and I finally got around to buying it with some extra iTunes credits.

This emotional album is a loose concept album about Gainsbourg's near-death experience in 2007 after an apparently-minor water skiing mishap. Two weeks after the accident, she walked into a hospital in Paris complaining of dizziness, blurred vision, and severed headaches, and discovered that she had a slow cerebral hemorrhage, and her skull was filling with blood. She was immediately rushed in for brain surgery. ("IRM" is the French acronym for the medical scanner called "MRI" in English).

Produced by Beck, the musical styles are all over the map. There is a touching ballad, an alt-rocker, a French cabaret number, and some electronic tracks which Gainsbourg half-raps over. She doesn't have a broad vocal range, but the stylistic changes and overall mood of the record more than compensate. The theme of the album is the thin line between life and death, and how close we all are, but how life has a way of going on regardless.

It's kind of Zen, but all-in-all, I liked this record.

Rating: B+




Review: Bullet For My Valentine: Fever [F]


Artist: Bullet For My Valentine
Album: Fever
Released: April 2010
Label: Jive Records
Genre: heavy metal

Purchase Date: 07 Jan 2011
Format: mp3 files
Source: Amazon

I bought this album based on eMusic and Amazon recommendations, without knowing much about the band or its sound. I listened to the 30-second clips on Amazon and it sounded like decent metal, so I gave it a chance. Big mistake.

I knew that I would eventually buy an album that I didn't like, but I can't remember having such a violently negative reaction to a piece of music. To be honest, the lyrics of this record so enraged me that I could not force myself to listen to the whole thing.

The blatant misogyny that BFMV displays in this recording is just beyond the pale. The first track, "Your Betrayal" is about how much the singer wants to exact violent revenge on his ex-girlfriend for the unpardonably sin of ending their relationship. Next up was a song about stalking a woman who wouldn't talk to the singer at a bar with the insinuation that he planned to rape her. There was a song about how all women are evil and that the best thing is to hurt them first. There were more songs on the album, but I had to stop listening because I was becoming sick to my stomach.

And the music. They guys are technically competent, but they sound, more or less, like Nickelback. 'Nuff said. I have actually deleted the mp3s from my computer so that I don't accidentally stumble across this music again.

This was an absolutely terrible album. Avoid at all costs. I wish I could get my $5 back.

Rating: F

(I'm not going to give them the courtesy of linking to a video. You can see one on their home page, which I linked above, if you really want to. I don't recommend it.)

Saturday, May 21, 2011

Flashback Review: The Sword: Gods of the Earth [B+]


Aritst: The Sword
Album: Gods of the Earth
Released: July 2008
Label: Kemando Records
Genre: Metal

Purchase date: 02 Jan 2011
Format: mp3 files
Source: eMusic

This is the sophomore album from the Texas metal band The Sword. Their 2010 release Warp Riders had become one of my favorite records of the year. I had picked up their debut years ago, so with a few bonus eMusic credits, I decided to download this one.

Searing dueling metal guitars and sludgy bass stand up to leader JD Cronise's clean vocals. Lyrically, the songs are all about fantasy and mythological themes, a trend shared with their first album Age of Winters. Despite the kind-of-hokey D&D themes that so many metal bands seem to like, this is a very good metal. It's more of a throwback to '70s-vintage acts like Black Sabbath and early Iron Maiden. I didn't like it as much as their most recent release, but this is still a lot of fun.

Rating: B+


Review: Florence + The Machine: Lungs [A-]


Artist: Florence + The Machine
Album: Lungs
Released: July 2009
Label: Universal
Genre: Indie Pop

Purchase date: 01 Jan 2011
Format: mp3 files
Source: eMusic

This is one of those albums that had been on my "Save For Later" list on eMusic for more than a year. Florence + The Machine is British singer-songwriter Florence Welch, plus whatever backing musicians she can put together for a given performance.

Welch has a very powerful and expressive voice, and she puts her impressive vocal range to excellent use on this record. Stylistically, the music is all over the map: songs range from quiet bluesy ballands, to explosive rock, to off-kilter folk. In the hands of a less-skilled or more-pretentious artist, this would have tipped into camp, but Welch is an artist in full control of herself, and she transcends the material. This is an excellent album that will hold your interest.
Recommended.

Rating: A-


Review: Royal Thunder [C+]


Artist: Royal Thunder
Album: Royal Thunder [EP]
Released: December 2010
Label: Relapse Records
Genre: Hard Rock

Purchase Date: 02 Jan 2011
Format: mp3 files
Source: eMusic

I first heard this debut 7-track EP from the Atlanta-based hard rock trio Royal Thunder on an NPR Music First Listen. Fronted by the strong female vocalist Mlny Parsonz (who also plays bass), Royal Thunder plays bluesy Southern hard rock. Their songs tend to start slow and quiet and then intensify gradually to full-blown hard rock. (Lars Gotrich of NPR Music calls it the "slow burn" approach). At 33 minutes, this EP is about as long as some full-length albums.

I liked the intensity of this band on the first listen, but I found that the tracks ran together a bit after successive listens. This is another of those bands that I like well enough, but probably won't think to spin up all that often.

Rating: C+


Sunday, May 15, 2011

Top 15 of 2010

Okay-- I've now done it: I reviewed all of the albums I purchased in 2010!

I am going to keep going with album reviews, but I though I'd stop here (as it's now mid-May of 2011) and present my Best of 2010 list.

Most of these albums I have already reviewed, but there are a few I bought in 2011 and haven't written reviews yet. Rest assured that I will continue my little album review project, despite not really having any readers.

So, without further ado, here are my top 15 favorites released in 2010:









7. Mumford & Sons: Say No More




3. Agalloch: Marrow of the Spirit


...and my favorite album of the year...



I came up with the list based on a combination of factors including star ratings and play counts on iTunes, and a subjective gut reaction. This is far from scientific, as I changed the above line-up a bit from the one I'd put together three weeks ago, and I probably would do so again if I were to write this post in another two months. Suffice it to say, that all of the above albums are excellent, and I highly recommend them all.

(Links go to my reviews. I will edit this posting when I get around to reviewing the above albums that I hadn't at the time I wrote this.)

Review: Buke and Gass: Riposte [A-]


Artist: Buke and Gass
Album: Riposte
Released: September 2010
Label: Brassland Records
Genre: Experimental pop

Purchase date: 21 December 2010
Format: mp3 files
Source: Amazon

The first full-length from this duo from Brooklyn, the band gets its name from the two homemade instruments they play: singer Arone Dyer plays a homemade baritone ukelele (or "buke"), and Aron Sanchez plays a homemade combination acoustic guitar and bass (or "gass"). They both also play foot-controlled percussion instruments, and run their instruments through effects pedals creating the sound of a full band even when it's just the two of them. This wildly creative streak runs through the music itself, which is off-kilter, chaotic, in strange time signatures, and a whole lot of fun.

Their wildness could perhaps be tamed a bit, as the middle of the album starts to run together after a while, but it is full of stand-out moments. The opener "Medulla Oblongata," "Your Face Left Before You," and "Bundletuck" are the three strongest tracks. This is a wonderfully weird acoustic album, and I recommend it strongly.

Rating: A-



Review: Daft Punk: Tron Legacy Soundtrack [C+]


Artist: Daft Punk
Album: Tron Legacy Soundtrack
Released: December 2010
Label: Walt Disney Records
Genre: Soundtrack / Electronic

Purchase Date: 17 Dec 2010
Format: mp3 files
Source: Amazon

While I found the movie Tron: Legacy to be a bit of a let-down, I did like the music of the film. So, when Amazon made this album available for just $5, I bought it.

Daft Punk are amazing electronic artists. For this album, the Disney Corp gave them a huge budget and tasked them to make a big soundtrack for a big-budget film. One of the resources at Daft Punk's disposal was, of all things, the London Philharmonic Orchestra. While the French duo is very much at home using music to tell a story, I feel that the big budget got in the way of their creativity. The main Tron: Legacy theme runs through almost the whole album, and it gets a bit repetitious. Also, the whole thing sounds very, um, movie-soundtrack-y.

That said, when Daft Punk lets go of the orchestra and focuses on being Daft Punk, the results are pretty darn good. One of the highlights of the album, and one of my favorite individual songs of the year, is the album closer "Tron: Legacy (End Titles)" which is a top-notch Daft Punk song.

So, a few standout tracks in a hum-drum electronic background, this is a decent soundtrack but not a standout.

Rating: C+


Artist not available at eMusic

Review: Cee Lo Green: The Lady Killer [A]


Artist: Cee Lo Green
Album: The Lady Killer
Released: October 2010
Label: Radioculture / Elektra Records
Genre: R&B

Purchase date: 17 Dec 2010
Format: mp3 files
Source: Amazon

Known primarily as half of the band Gnarls Barkley, Cee Lo Green surprised many with his smash hit of the summer, "Fuck You." Incredibly catchy, the song (and it's inferior radio-friendly version, "Forget You") harkens back to a classic Motown R&B sound. Two months later, the full album The Lady Killer was released to great acclaim, and I am going to agree wholeheartedly with the majority on this one.

The Lady Killer is a nearly perfect R&B album. With nods to Isaac Hayes, James Bond, and the aforementioned Motown, Green's wit and humor percolate through the music. At the same time, there is just a hint of darkness, particularly in the track "Bodies," in which you're not quite sure if the protagonist is being literal or metaphorical when he sings, "Today the morning papers read/ they found a body in my bed."

I think this album is one of those rare instant classics. This is one of the best albums of the year.

Rating: A




Review: Cloud Cult: Light Chasers [B+]


Artist: Cloud Cult
Album: Light Chasers
Released: September 2010
Label: Earthology Records
Genre: Experimental pop

Purchase Date: 6 Dec 2010
Format: mp3 files
Source: eMusic

I first encountered the Minneapolis-based experimental band Cloud Cult in 2008 on the Sound Opinions radio show a few years ago. Jim and Greg reviewed the band's last album Feel Good Ghosts (Tea Partying Through Tornadoes) on a "hidden gems" episode. I really liked the track they played, so I bought that album, and it became one of my favorites of the year. When performing live, the band has a lot of people on stage, and the members include a cellist, a violinist, two brass players, a bassist (playing both electric and upright), and a percussionist. Their sound can vary from classical chamber music to heavy rock (sometimes in the same song). It is this playfulness with sound and mood that drew me in.

Led by vocalist/guitarist/songwriter Chris Minowa, who is married to fellow band-mate Connie Minowa, the band often explores heavy concepts like life, death, faith, and the afterlife. This is understandable, as the Minowas lost their first child in 2002 at the age of two. Minowa used songwriting to channel his grief, but managed to keep the music playful while exploring the darkness. The Minowas had a second child in 2009 (whom they named Nova), and Light Chasers explores the life-death cycle from a much happier perspective.

Possessing extremes of dynamics, mood, and orchestration, Light Chasers is a wild ride, and ultimately an uplifting one.

Rating: B+


Sunday, April 24, 2011

Review: Of Montreal: False Priest [A-]

Artist: Of Montreal
Album: False Priest
Released: Sept 2010
Label: Polyvinyl Records
Genre: Chamber Pop / Indie Rock / Glam Rock

Purchase Date: 6 Dec 2010
Format: mp3 files
Source: eMusic

Of Montreal plays extremely energetic music that's a whole lot of fun. False Priest is the tenth album from this Athens, GA band, which was one of the founding members of the Elephant 6 Recording Company. The band has evolved much over the years, and its current incarnation hearkens back to David Bowie's '70s glam period. The third album in this glam phase (including 2006's Hissing Fauna, Are You The Destroyer?, and 2008's Skeletal Lamping), False Priest is another danceable sex-soaked romp with big nods to R&B. A featured guest artist is the amazing Janelle Monáe, who sings three duets with bandleader Kevin Barnes. Many of the songs are very funny, too.

I really liked this album, and recommend it.

Rating: A-


Review: A Sunny Day in Glasgow: Autumn Again [B]


Artist: A Sunny Day in Glasgow
Album: Autumn, Again
Released: Oct, 2010
Label: self-published
Genre: dream pop / indie rock

Purchase Date: 29 Nov 2010
Format: mp3 files
Source: Amazon

I had never heard of this band from Philadelphia, but their album showed up as a free download from Amazon, so I thought I'd give it a try. The music is somewhere between alt rock and ambient dream pop, and is very nice. This is yet another band with a male and a female vocalist who trade off the lead and harmonize, which is a format I tend to fall for. The songs are catchy, with a hint of the currently-in-vogue '60s girl-group vibe, and the lyrics are clever. On the down side, this album includes many of the tropes of the current hipster sound. When a track from this album pops up on my iTunes party mix, I can immediately tell it's from the past two or three years, but can't put my finger on the artist.

While it didn't knock my socks off, I liked this, and I'm glad I took a chance on them.

Rating: B




Friday, April 15, 2011

Review: Belle and Sebastian: Write About Love


Aritst: Belle and Sebastian
Album: Belle and Sebastian Write About Love
Released: October 2010
Label: Matador Records
Genre: Indie pop / twee pop

Purchase date: 23 Nov 2010
Format: mp3 files
Source: Amazon

I've been a fan of Belle and Sebastian since the late '90s when I first heard If You're Feeling Sinister, and I've picked up all of their albums since. The eighth album by the premiere Scottish twee pop act comes almost five years after their previous release, 2006's The Life Pursuit. Despite the hiatus, Write About Love feels like it picks up right where Life Pursuit left off: it's exploring the same themes and is lyrically and musically very similar to its predecessor. That's not to say this is a bad album, but it's not breaking new ground or going into any direction that this band hasn't thoroughly explored previously. I think that any year that Belle and Sebastian put out an album can't be a bad year for music, but as much as I hate to say it, if you've heard their last three albums, you've pretty much heard this one.

A decent album from Belle and Sebastian, but more of the same.

Rating: B


Artist not available on eMusic

Review: Gorillaz: Plastic Beach [B]


Artist: Gorillaz
Album: Plastic Beach
Released: March 2010
Label: Virgin Records
Genre: Alternative Hip-Hop

Purchase Date: 23 Nov 2010
Format: mp3 files
Source: Amazon

I'm not much of a hip-hop fan. There are a few hip-hop acts that I appreciate, and a few of those I actually like, but rap and hip-hop usually just don't do a whole lot for me. So, I was rather skeptical when so many other critics started to heap this album with praises: especially by a virtual band whose members are cartoon characters. (A phenomenon that reminded me of The Banana Splits.)

With the extremely positive reviews and a bargain-basement one-day sale price at Amazon, I decided to buy the album. I was really impressed

You've got to hand it to Damon Albarn and Jamie Hewlett, the real-world creative team behind this virtual band. First of all there's the sheer ambition of this album: It's concept album about an island called Plastic Beach that formed when enough of the pastic garbage floating in the ocean coalesced. The music is extremely eclectic: there are notes of dub, ska, indie rock, and pop all mixed together. And there's a long list of special guest artists including rappers like Mos Def and Snoop Dog, along with artists from outside the rap world like Lou Reed and the Syrian National Orchestra for Arab Music.

I mostly liked this record. I found the music to be engaging and that it had a real story to tell. It's not going to be in heavy rotation, but it works.

Rating: B


Artist not available at eMusic


Thursday, April 14, 2011

Review: Robyn: Body Talk [B+]


Artist: Robyn
Album: Body Talk
Released: November 2010
Label: Interscope Records
Genre: Dance pop

Purchase Date: 23 November 2010
Format: mp3 files
Source: Amazon

As you could probably tell from reading my reviews, I'm not much of a dance pop fan. I don't have anything against dance pop as a genre, but clubbing was never my thing, and dance pop as music is best experienced when, um, dancing at a club.

However, some critics that I usually trust raved about this platinum-haired Swedish artist and the three Body Talk EPs that she released over the course of 2010. Then Amazon listed this album for $2.99 during their Black Friday Download sale. I figured that for three bucks, I'd gave it a try, and I was not disappointed.

For a genre known for its artificiality, I hear an authenticity in the lyrics that I find very appealing. Melodically, the songs are there too, and the production is excellent without drawing undue attention to itself. And while I don't see myself getting on the dance floor any time soon, I can totally see that this would be amazing music to dance to.

I was very pleasantly surprised at how much I liked this record. Kudos to Amazon for pricing an album that I probably wouldn't have bought otherwise at a point that I was willing to take a chance.

Rating: B+



Review: Superchunk: Majesty Shredding [A]


Artist: Superchunk
Album: Majesty Shredding
Released: September 2010
Label: Merge Records
Genre: Indie Rock

Purchase Date: 11 November 2010
Format: mp3 files
Source: Amazon

The first release in 10 years from the '90s indie rock powerhouse (and the band that founded the incredibly influential independent label Merge Records), Majesty Shredding sounds like Superchunk had merely stepped over to the minimart for another 12-pack, and came right back. It's a return to classic Superchunk, reprising their uptempo indie rock sound from the mid-90s. It doesn't sound like a re-hash: they may be in their early 40s but they still have something new to say. The music is energetic, catchy, tuneful, and just raw enough to keep it interesting. If you liked Superchunk in '95, you'll love this album. Standout tracks include "Digging for Something" and "Crossed Wires," and the rest of the album works well too. Highly recommended: this is one of the best albums of the year.

Rating: A


Artist not available on eMusic

Tuesday, April 12, 2011

Review: Beach House: Teen Dream [B+]


Artist: Beach House
Album: Teen Dream
Released: January 2010
Label: Sub Pop
Genre: Dream Pop

Purchase date: 02 November 2010
Format: mp3 files
Source: eMusic

This album had been out for almost a year before it caught my attention. One of the great things about other critics' annual "Best Of" lists is that you find out about so many artists and albums that you had missed the first time around. One critic (I think it was Robin Hilton of NPR) called November and December the absolute best months for music discovery for that reason.

Anyway, the previous album from this duo from Baltimore (2008's Devotion) just didn't do a lot for me at the time. I had bought it based solely on the good reviews from other critics I trust, but I didn't understand the hype. So, I passed on Teen Dream when it came out.

In early summer, Beach House played live for Sound Opinions, and then NPR streamed a live concert, and then a bunch of critics put Teen Dream on their "Best of 2010" lists, so I thought I would give them another shot. I bought it as my last album ever under eMusic's older (and better) download policy. (More on my opinion of eMusic.)

Much to my surprise, I really liked this album. It's moody dream pop with some catchy hooks and lovely vocals, and is much more upbeat than their previous release. Honestly, I tend to listen to this album as an album and individual tracks don't really stand out, but the whole thing is has a quiet dreamy beauty that's hard not to like

Rating: B+


Review: Black Mountian: Wilderness Heart [A]


Artist: Black Mountain
Album: Wilderness Heart
Released: September 2010
Label: Jagjaguwar
Genre: Hard Rock

Purchase date: 02 November 2010
Format: mp3 files
Source: eMusic

This was one of the albums that I had anticipated most this year. I really loved this band's 2008 album In The Future (it was my #3 album of 2008), so when NPR streamed the album as part of its first listen series, I was there. I was not disappointed.

Wilderness Heart is Black Mountain's third album, and is even stronger overall than their last one. The songwriting and playing are both tighter and much more mature. Wilderness Heart moves even farther away from the band's stoner rock beginnings, to more of a late-'70s hard rock sound, but they manage to avoid the bombast that plagued so many of the bands of that era (and the bands of today that echo them). This is yet another band with male and female lead singers, and Amber Webber's voice is showcased much more here. This may be due to her successes as the lead in her spin-off band Lightning Dust (which was my top pick for 2009).

Standout tracks are "Rollercoaster," "The Hair Song," and "Old Fangs," but this one doesn't have a weak spot. Another winner from Black Mountain.

Rating: A




Saturday, April 2, 2011

Review: Blonde Redhead: Penny Sparkle [B-]

Artist: Blonde Redhead
Album: Penny Sparkle
Released: September 2010
Label: 4AD
Genre: Dream Pop / Shoegaze

Purchase date: 01 November 2010
Format: mp3 files
Source: eMusic

The eighth full-length album from these veteran international New York-based indie rockers, Penny Sparkle sees the band take fewer chances and move toward an antiseptic electronic chill-out vibe. While it mostly works, Penny Sparkle lacks the balance between zoning and rocking that their brilliant 2007 album 23 seemed to get perfectly. It's also a move away from their driving, layered, bendy-guitar shoegaze roots (à la My Bloody Valentine) and more toward quieter trippy electronic dream pop (more akin to Beach House). While I appreciate that the band is playing with its sound a bit, it seem to me that Penny Sparkle is an entire album that sounds very much like what I had considered the slower, weaker tracks of 23. It's worth a listen, but if you are expecting the power and resonance of 23, you'll probably be a bit disappointed.

Rating: B-


Album no longer available at eMusic