Monday, July 25, 2011

Review: Wye Oak: Civillian [A]


Artist: Wye Oak
Album: Civillian
Released: March 2011
Label: Merge Records
Genre: indie rock

Purchase date: 22 Mar 2011
Format: mp3 files
Source: Amazon

The third full-length from the Baltimore-based male/female duo finds Wye Oak growing both more comfortable in their own abilities and more ambitious in their sound. Jenn Wasner's haunting vocals sound in sharp contrast to her powerful guitar, but she seems to get that balance exactly right. Drummer/keyboardist Andy Stack fills in the rest of the sound. Live, he's got to be the best one-handed drummer in music today, as he plays three keyboards simultaneously with his other hand. In the studio, his precision shines through.

Wye Oak has always liked to play with large dynamic shifts. They are still here, but the shifts are less abrupt, subtler, and manage to draw you completely in. The highlight of the album is the title track (which appears about half-way through the album), and it is one of the best songs of the year so far.

This is most definitely Wye Oak's best album yet, and is one of my favorites of the year so far. Highly recommended.

Rating: A

Album not available at eMusic

Sunday, July 24, 2011

GrassRoost Festival: Saturday (Day Three)

Saturday is always my favorite day of the GrassRoots Festival. This year, for various reasons, I won't be able to attend on Sunday, the last day, so I decided to go all-in for Saturday this year.

I got to the fairgrounds at around noon, and set up my blanket, cooler, and chair on the Infield again. The crowd by the stage was very thin, and it looked like the previous performer had just left, so I wandered the fairgrounds a bit. I caught one number by the Dead Sea Squirrels in the Dance Tent, and enjoyed their traditional American folk. The fairgoers dancing to their set were doing contra dancing, so I just watched for a few minutes, and then moved on.

Returning to the Infield Stage, I got there just as The Believers took the stage. Singer-electric guitarist Craig Aspen and chanteuse/acoustic guitarist Cyd Fazzari hail from New Orleans (via Seattle), and have consistently been one of my GrassRoots favorites. This year was no exception. Aspen said on stage, "We love country music but grew up listening to punk rock and heavy metal." On their website, they describe themselves as "a rock band with a country problem." I stayed for their full set. While I was hoping they'd play a cover of "Helter Skelter," which was their final encore last year, they closed with their eponymous signature song, which I also really like.

After their set was over, I went over to Cabaret Hall to catch the local traditional Celtic fiddlers The Grady Girls. They are always a lot of fun, but they were having some trouble with their amps and it was very hard to hear them.

After a bite of lunch, I went to the Grandstand to hear The Horse Flies, one of the most popular and longest-lived local bands. I know fiddler Judy Hyman and bassist Jay Olsa personally, so it's always fun for me to see them on stage. They were also having some sound trouble, but their extended sound check was pretty much a improvised song, and was very danceable. Once the engineers got the mix straightened out, they put on a great show. The highlight was "Roadkill," which Ritchie Stearns introduced as "our tribute to the local food movement." Despite the heat, I ended up dancing very hard in front of the stage. After about 40 minutes, I was getting a bit light-headed from dancing in the heat, so I left the performance to buy a lemonade and find some shade.

I returned to the Infield Stage about an hour later to catch Blackfire, the Navajo punk band. I've seen this trio of siblings (brothers Klee and Clayson Benally and sister Jeneda) at every other GrassRoots I've been at, and always find them to be a highlight. I'd missed their first few numbers, and was surprised to see them performing as a duo-- their guitarist/lead vocalist Klee Benally wasn't on stage, and I wasn't sure why. Unfortunately, when a punk band is missing its guitarist, it really takes a toll on the sound, and their performance was very much off this year. I stayed for two numbers, then decided to go see someone else.

That someone else was our local African musical legend Samite. With his stunning looped vocals and kalimba, I find his music to be soulful, joyous, and wonderful. I was sorry that I only managed to catch two numbers before he left the stage.

I went back to the Infield Stage to hear the local prog-rock band Ayuvrveda. I'd heard of them, but hadn't seen or heard them before, and they were a real treat. I was a little too tired to dance, but I thoroughly enjoyed their full set. The sun was just starting to set when they left the stage, and I took a brief nap to gather energy for the rest of the night.

Next up at the Infield Stage was the high-energy Afrobeat band from Nigeria, Seun Kuti & Egypt 80. Wow. They were amazing. Another band I hadn't encountered before, they brought the house down. I haven't danced so hard since... well, since that afternoon at the Horse Flies show, but I digress. I will most definitely be buying their album sometime soon.

After they left the stage, I rested for a bit, then sat for a short performance by Americana legend John Specker. I've seen John Specker play at every GrassRoots Festival I've attended, and he is always a real treat to see.

Specker left the stage a little after midnight, and about half an hour later Donna the Buffalo took the stage to raucous applause. The host band and founding member of the GrassRoots festival, Donna attracted a huge crowd-- the biggest I'd seen at this year's festival. I got into the thick of it in front of the stage and danced the night away to one of the best performances by Donna that I can remember. At one point, Tara Nevins dedicated a song "to water," and half-way through the song, it finally started to rain. The rain was welcome, as it was still above 80 degrees well after midnight.

They left the stage at about 2:00 AM, and I gathered up my stuff. The line for the shuttle bus to the off-site parking lot seemed immensely long, so I wandered back to the Dance Tent to hear some of Keith Frank and the Soileau Zydeco Band. Keith Frank is another long-time GrassRoots favorite, and while I was too tired to dance, I listened for about half an hour until the line for the bus got short enough.

As I borded the bus back to the parking lot, I bid GrassRoots a farewell for the year. Despite the heat and my abbreviated attendance, it was a great fest this year.

Friday, July 22, 2011

GrassRoost Festival: Friday (Day Two)

I just came back from the second day of the GrassRoots Festival of Music and Dance in Trumansburg NY. I have a weekend pass, but I decided not to go yesterday due to the weather-- it was a record high in Ithaca (official temperature at the airport was 100ºF, with a heat index of 109). This is the 21st annual GrassRoots Fest, and my tenth.

The Kid and I got to the fairgrounds a bit later than we'd intended, and set up our chairs, blanket and cooler on the Infield.

We managed to catch the encore of The Town Pants, a Celtic and Americana band from Vancouver. I hadn't heard them before, and I really liked them: high energy and a lot of fun. I'm hoping to catch them again tomorrow afternoon in Caberet Hall.

After a delicious gyro and a frozen chocolate-covered strawberry, we settled in for one of my festival favorites, the local funk/soul/reggae act Thousands of One. Their infectious groove and rhythm got me out of my seat and dancing. They also announced the release of their second CD, SoulForce. I'll probably be picking that one up sometime soon.

After dancing so hard, The Kid told me that a strong weariness had set in, so we decided to head back home. While we were packing up, we heard the sound check for Balkan Beat Box, a gypsy-rock/hip-hop act from NYC that seems to be attracting quite a following. They sounded great, but we had to catch the bus back to the parking lot, so we said good-bye to the first day of the festival.

Tomorrow's line-up includes some other festival favorites that I hope to see, including The Believers, Blackfire, The Horse Flies, and Donna the Buffalo. I hope to encounter some other acts that will become new favorites, too. More to come later.

Friday, July 15, 2011

Review: Mumford & Sons: Sigh No More [A]


Artist: Mumford & Sons
Album: Sigh No More
Released: February 2010
Label: Glassnote Records
Genre: indie folk

Purchase Date: 11 Mar 2011
Format: mp3 files
Source: Amazon

I'd heard of the West London-based indie folk quartet Mumford & Sons in early 2010, but I hadn't actually heard the music. Pitchfork, the hipster Bible, gave this album a terrible review, (primarily challenging the band's authenticity), and none of the other critics I follow reviewed it at all. My spouse was the person who turned me on to this band-- and what a find!

The music is heartfelt, warm, and played pretty much exclusively on acoustic folk instruments. These aren't traditional folk songs, but they sure are played that way. Marcus Mumford handles the lead vocals, and he puts just enough emotion into his presentation to make you feel what he's feeling, without crossing the line into melodrama. His lyrics are literary, intelligent, and amusingly self-depreciating. I loved this record. Highly recommended, especially to fans of indie folk.

Rating: A



Monday, July 4, 2011

Review: Caribou: Swim [B-]


Artist: Caribou
Album: Swim
Released: April 2010
Label: Merge Records
Genre: Electronic

Purchase Date: 10 Mar 2011
Format: mp3 files
Source: Amazon

I really wanted to love the fifth full-length album from Dan Snaith, who is the band Caribou. His 2007 album Andorra was one of that year's best. Swim is rather a dark record: most of the songs are about the end of relationships and the music is awash in heartbreak. While dark, this album is much more dance-friendly than his previous release. Musically, Snaith's meticulous precision comes through overall: as the whole album is sequenced, there's not a bleep or bloop out of place. Snaith has always been an electronic artist, but I feel that this is far less organic and feels a lot more sterile than his previous output.

That's not to say that there's no fun to be had in this album. The opener, "Odessa," is the high point, and it is a very enjoyable track. The twists and turns, the numerous false endings, and sever changes in tone speak to a very ambitious musician making very ambitious music. While I applaud the ambition, the actual results of this experiment are mixed. Overall, I do like this album, but I was hoping to love it.

Rating: B-

Album listing at Amazon
Not available at eMusic

"Odessa" official video