Sunday, April 24, 2011

Review: Of Montreal: False Priest [A-]

Artist: Of Montreal
Album: False Priest
Released: Sept 2010
Label: Polyvinyl Records
Genre: Chamber Pop / Indie Rock / Glam Rock

Purchase Date: 6 Dec 2010
Format: mp3 files
Source: eMusic

Of Montreal plays extremely energetic music that's a whole lot of fun. False Priest is the tenth album from this Athens, GA band, which was one of the founding members of the Elephant 6 Recording Company. The band has evolved much over the years, and its current incarnation hearkens back to David Bowie's '70s glam period. The third album in this glam phase (including 2006's Hissing Fauna, Are You The Destroyer?, and 2008's Skeletal Lamping), False Priest is another danceable sex-soaked romp with big nods to R&B. A featured guest artist is the amazing Janelle Monáe, who sings three duets with bandleader Kevin Barnes. Many of the songs are very funny, too.

I really liked this album, and recommend it.

Rating: A-


Review: A Sunny Day in Glasgow: Autumn Again [B]


Artist: A Sunny Day in Glasgow
Album: Autumn, Again
Released: Oct, 2010
Label: self-published
Genre: dream pop / indie rock

Purchase Date: 29 Nov 2010
Format: mp3 files
Source: Amazon

I had never heard of this band from Philadelphia, but their album showed up as a free download from Amazon, so I thought I'd give it a try. The music is somewhere between alt rock and ambient dream pop, and is very nice. This is yet another band with a male and a female vocalist who trade off the lead and harmonize, which is a format I tend to fall for. The songs are catchy, with a hint of the currently-in-vogue '60s girl-group vibe, and the lyrics are clever. On the down side, this album includes many of the tropes of the current hipster sound. When a track from this album pops up on my iTunes party mix, I can immediately tell it's from the past two or three years, but can't put my finger on the artist.

While it didn't knock my socks off, I liked this, and I'm glad I took a chance on them.

Rating: B




Friday, April 15, 2011

Review: Belle and Sebastian: Write About Love


Aritst: Belle and Sebastian
Album: Belle and Sebastian Write About Love
Released: October 2010
Label: Matador Records
Genre: Indie pop / twee pop

Purchase date: 23 Nov 2010
Format: mp3 files
Source: Amazon

I've been a fan of Belle and Sebastian since the late '90s when I first heard If You're Feeling Sinister, and I've picked up all of their albums since. The eighth album by the premiere Scottish twee pop act comes almost five years after their previous release, 2006's The Life Pursuit. Despite the hiatus, Write About Love feels like it picks up right where Life Pursuit left off: it's exploring the same themes and is lyrically and musically very similar to its predecessor. That's not to say this is a bad album, but it's not breaking new ground or going into any direction that this band hasn't thoroughly explored previously. I think that any year that Belle and Sebastian put out an album can't be a bad year for music, but as much as I hate to say it, if you've heard their last three albums, you've pretty much heard this one.

A decent album from Belle and Sebastian, but more of the same.

Rating: B


Artist not available on eMusic

Review: Gorillaz: Plastic Beach [B]


Artist: Gorillaz
Album: Plastic Beach
Released: March 2010
Label: Virgin Records
Genre: Alternative Hip-Hop

Purchase Date: 23 Nov 2010
Format: mp3 files
Source: Amazon

I'm not much of a hip-hop fan. There are a few hip-hop acts that I appreciate, and a few of those I actually like, but rap and hip-hop usually just don't do a whole lot for me. So, I was rather skeptical when so many other critics started to heap this album with praises: especially by a virtual band whose members are cartoon characters. (A phenomenon that reminded me of The Banana Splits.)

With the extremely positive reviews and a bargain-basement one-day sale price at Amazon, I decided to buy the album. I was really impressed

You've got to hand it to Damon Albarn and Jamie Hewlett, the real-world creative team behind this virtual band. First of all there's the sheer ambition of this album: It's concept album about an island called Plastic Beach that formed when enough of the pastic garbage floating in the ocean coalesced. The music is extremely eclectic: there are notes of dub, ska, indie rock, and pop all mixed together. And there's a long list of special guest artists including rappers like Mos Def and Snoop Dog, along with artists from outside the rap world like Lou Reed and the Syrian National Orchestra for Arab Music.

I mostly liked this record. I found the music to be engaging and that it had a real story to tell. It's not going to be in heavy rotation, but it works.

Rating: B


Artist not available at eMusic


Thursday, April 14, 2011

Review: Robyn: Body Talk [B+]


Artist: Robyn
Album: Body Talk
Released: November 2010
Label: Interscope Records
Genre: Dance pop

Purchase Date: 23 November 2010
Format: mp3 files
Source: Amazon

As you could probably tell from reading my reviews, I'm not much of a dance pop fan. I don't have anything against dance pop as a genre, but clubbing was never my thing, and dance pop as music is best experienced when, um, dancing at a club.

However, some critics that I usually trust raved about this platinum-haired Swedish artist and the three Body Talk EPs that she released over the course of 2010. Then Amazon listed this album for $2.99 during their Black Friday Download sale. I figured that for three bucks, I'd gave it a try, and I was not disappointed.

For a genre known for its artificiality, I hear an authenticity in the lyrics that I find very appealing. Melodically, the songs are there too, and the production is excellent without drawing undue attention to itself. And while I don't see myself getting on the dance floor any time soon, I can totally see that this would be amazing music to dance to.

I was very pleasantly surprised at how much I liked this record. Kudos to Amazon for pricing an album that I probably wouldn't have bought otherwise at a point that I was willing to take a chance.

Rating: B+



Review: Superchunk: Majesty Shredding [A]


Artist: Superchunk
Album: Majesty Shredding
Released: September 2010
Label: Merge Records
Genre: Indie Rock

Purchase Date: 11 November 2010
Format: mp3 files
Source: Amazon

The first release in 10 years from the '90s indie rock powerhouse (and the band that founded the incredibly influential independent label Merge Records), Majesty Shredding sounds like Superchunk had merely stepped over to the minimart for another 12-pack, and came right back. It's a return to classic Superchunk, reprising their uptempo indie rock sound from the mid-90s. It doesn't sound like a re-hash: they may be in their early 40s but they still have something new to say. The music is energetic, catchy, tuneful, and just raw enough to keep it interesting. If you liked Superchunk in '95, you'll love this album. Standout tracks include "Digging for Something" and "Crossed Wires," and the rest of the album works well too. Highly recommended: this is one of the best albums of the year.

Rating: A


Artist not available on eMusic

Tuesday, April 12, 2011

Review: Beach House: Teen Dream [B+]


Artist: Beach House
Album: Teen Dream
Released: January 2010
Label: Sub Pop
Genre: Dream Pop

Purchase date: 02 November 2010
Format: mp3 files
Source: eMusic

This album had been out for almost a year before it caught my attention. One of the great things about other critics' annual "Best Of" lists is that you find out about so many artists and albums that you had missed the first time around. One critic (I think it was Robin Hilton of NPR) called November and December the absolute best months for music discovery for that reason.

Anyway, the previous album from this duo from Baltimore (2008's Devotion) just didn't do a lot for me at the time. I had bought it based solely on the good reviews from other critics I trust, but I didn't understand the hype. So, I passed on Teen Dream when it came out.

In early summer, Beach House played live for Sound Opinions, and then NPR streamed a live concert, and then a bunch of critics put Teen Dream on their "Best of 2010" lists, so I thought I would give them another shot. I bought it as my last album ever under eMusic's older (and better) download policy. (More on my opinion of eMusic.)

Much to my surprise, I really liked this album. It's moody dream pop with some catchy hooks and lovely vocals, and is much more upbeat than their previous release. Honestly, I tend to listen to this album as an album and individual tracks don't really stand out, but the whole thing is has a quiet dreamy beauty that's hard not to like

Rating: B+


Review: Black Mountian: Wilderness Heart [A]


Artist: Black Mountain
Album: Wilderness Heart
Released: September 2010
Label: Jagjaguwar
Genre: Hard Rock

Purchase date: 02 November 2010
Format: mp3 files
Source: eMusic

This was one of the albums that I had anticipated most this year. I really loved this band's 2008 album In The Future (it was my #3 album of 2008), so when NPR streamed the album as part of its first listen series, I was there. I was not disappointed.

Wilderness Heart is Black Mountain's third album, and is even stronger overall than their last one. The songwriting and playing are both tighter and much more mature. Wilderness Heart moves even farther away from the band's stoner rock beginnings, to more of a late-'70s hard rock sound, but they manage to avoid the bombast that plagued so many of the bands of that era (and the bands of today that echo them). This is yet another band with male and female lead singers, and Amber Webber's voice is showcased much more here. This may be due to her successes as the lead in her spin-off band Lightning Dust (which was my top pick for 2009).

Standout tracks are "Rollercoaster," "The Hair Song," and "Old Fangs," but this one doesn't have a weak spot. Another winner from Black Mountain.

Rating: A




Saturday, April 2, 2011

Review: Blonde Redhead: Penny Sparkle [B-]

Artist: Blonde Redhead
Album: Penny Sparkle
Released: September 2010
Label: 4AD
Genre: Dream Pop / Shoegaze

Purchase date: 01 November 2010
Format: mp3 files
Source: eMusic

The eighth full-length album from these veteran international New York-based indie rockers, Penny Sparkle sees the band take fewer chances and move toward an antiseptic electronic chill-out vibe. While it mostly works, Penny Sparkle lacks the balance between zoning and rocking that their brilliant 2007 album 23 seemed to get perfectly. It's also a move away from their driving, layered, bendy-guitar shoegaze roots (à la My Bloody Valentine) and more toward quieter trippy electronic dream pop (more akin to Beach House). While I appreciate that the band is playing with its sound a bit, it seem to me that Penny Sparkle is an entire album that sounds very much like what I had considered the slower, weaker tracks of 23. It's worth a listen, but if you are expecting the power and resonance of 23, you'll probably be a bit disappointed.

Rating: B-


Album no longer available at eMusic

Vintage Review: Hawkwind: Levitation [B+]


Artist: Hawkwind
Album: Levitation
Released: 1980
Label: Atomhenge/IODA (2009 re-release)
Genre: Space Rock

Purchase date: 1 November 2010
Format: AAC files
Source: iTunes

Hawkwind is a British hard rock band that formed in the late 60s. They pioneered the "space rock" genre, and were the first band that metal-god Lemmy Killmister (of Mötorhead fame) every played with. (Note: Lemmy got the name for his new band from the last song he'd written and recorded with Hawkwind). Led by Dave Brock, Hawkwind is probably one of the closest British analogues to The Grateful Dead when it comes to die-hard fans who follow them around. (There isn't much similarity otherwise.)

One of my college buddies turned me on to Hawkwind back in the late '90s. (Hi, Curtis!) At the time, this band's records didn't have a US label, so I dubbed copies of his tapes and CDs onto cassette.

Levitation has a hard rock sound, bordering on heavy metal. The band downplays the intricate guitar solos typical of metal and instead uses sound effects, electronics, and spoken word interlude to evoke science fiction imagery that's typical of space rock. It's not a terribly intellectual take on science fiction, but I think it's a whole lot of fun.

Rating: B+



Review: Eric Clapton: Complete Clapton [A/D]

Artist: Eric Clapton
Album: Complete Clapton
Released: 2007
Label: Reprise Records
Genre: Classic Rock / Blues / Pop

Purchase Date: 26 October 2010
Format: CD (used)

The last CD I picked up at last October's Tompkins Library Book Sale was the two-disc Eric Clapton best-of collection Complete Clapton. As far as collections go, this one is pretty good-- it contains just about every major hit from Clapton's career from The Yarbirds to the present day. As a career retrospective, it's excellent. The tracks are mostly in chronological order by release date, and it's really interesting to hear Clapton's evolution over the past 40+ years.

Unfortunately, this is also the compilation's weak point. Clapton is one of those musicians who started out at the apex of his talent and slowly declined. His records from the '60s are by far his most interesting, and the absolute dreck he's released in the past decade is the palest of shadows of his former talent. Greg Kot and Jim DeRogatis of Sound Opinions did an episode last summer called "Off the Rails," in which they took a look at artists whose careers have gone completely off the rails. Clapton was their number one pick of how the mighty had fallen.

From the amazing heights of his work with Cream, Blind Faith, and Derek and the Dominoes, to the kitschy nigh-unlistenable "blues lite" of his recent work, Complete Clapton is an excellent career retrospective. Disk 1 is amazing, chronicling Clapton's career as a superstar in the 60s, 70s, and early 80s. You can hear the quality of his songwriting and the level of his ambition decline a bit by the end of Disk 1, but it is a wonderful ride with just one or two weak tracks toward the end. Then there's Disk 2. When the best track on a Clapton album is the yawn-inspiring acoustic version of "Layla" from his 1992 MTV Unplugged album, you have a problem.

So, while an excellent career retrospective for one of the great musicians of the late 20th century, I found this album to be a disheartening chronicle of the deterioration of a once-great career.

Rating: Disk 1: A; Disk 2: D-; Overall: C+